Viralimalai
Approach | The dance tradition of Viralimalai | The Subrahmanya Temple | Mythological Stories

dance tradition of Viralimalai

The temple was once a renowned seat of the Bharata natyam dance form and boasted of a separate dancer for each of the 32 adavu-s (அடவு, dance movements). Most of the inhabitants of this village can trace their descent from the Isai-vellala (மேளக்காரர், Melakarar) community.
Viralimalai has also lent its name to an exclusive kuravanji (குறவஞ்சி) dance-drama. Shyamala Balakrishnan writes: "Thanks to these families (of deva-dasi-s) the kuravanji named after Viralimalai has had an unbroken tradition of practical exposition for nearly two centuries. On Maha-siva-rathri (மகாசிவராத்திரி) night every year, till some fifteen years back, they used to play the kuravanji (குறவஞ்சி) as an all-night show to large admiring crowds of nobles, officials and ordinary folk, in front of the mandapam below the foot of the hill. Almost every deva-dasi (தேவதாசி) family of the place had a manyam (மானியம், land grant) for dance and two of them, in particular, had special additional manyam for the Viralimalai kuravanji. It was their business to keep alive the tradition of the kuravanji, which they did until they were forced out of it owing to socio-legal changes."

Other information

The natural caverns in the hillock show signs of early human habitation. This place must have shared the fortunes of Kodumbalur (கொடும்பாளுர்), which is only about six km off. The presence of an early Chozha temple lends support to the belief that Viralimalai (விராலிமலை) was a prosperous village as early as the 9th century AD.
The sides of this hill have traditionally worn a coat of non-thorny trees, mainly Wrightia (veppaalai, வெப்பாலை). Pea-fowl, in their hundreds, have inhabited this hillside. They are to be encountered even now though their numbers are much diminished.
Approach | The dance tradition of Viralimalai | The Subrahmanya Temple | Mythological Stories